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Sunday, April 8, 2018

Harrowing Pictures from Auschwitz
src: www.jmgads.com

Czes?awa Kwoka (15 August 1928 - 12 March 1943) was a Polish Catholic girl who was murdered at the age of 14 in Auschwitz. One of thousands of child victims of German World War II crimes against Poles in German-occupied Poland, she is among those memorialized in an Auschwitz-Birkenau State Museum exhibit, "Block no. 6: Exhibition: The Life of the Prisoners".

Photographs of Kwoka and others, taken by the "famous photographer of Auschwitz", Wilhelm Brasse, between 1940 and 1945, are displayed in the Museum's photographic memorial. Brasse discusses several of the photographs in The Portraitist, a 2005 television documentary about him. They became a focus of interviews with him that have been cited in various articles and books.

Brasse's three photographs of Kwoka inspired Painting Czes?awa Kwoka (2007), an award-winning collaborative work by painter Lori Schreiner and poet Theresa Edwards which "brings Czeslawa's image and voice into our lives."


Video Czes?awa Kwoka



Personal background

Czes?awa Kwoka was born in Wólka Z?ojecka, a small village in Poland, to a Catholic mother, Katarzyna Kwoka. Along with her mother (prisoner number 26946), Czes?awa Kwoka (prisoner number 26947) was deported and transported from Zamo??, Poland, to Auschwitz, on 13 December 1942. On 12 March 1943, less than a month after her mother died (18 February 1943), Czes?awa Kwoka died at the age of 14; the circumstances of her death were not recorded.


Maps Czes?awa Kwoka



General historical contexts of child victims of Auschwitz

Czes?awa Kwoka was one of the "approximately 230,000 children and young people aged less than eighteen" among the 1,300,000 people who were deported to Auschwitz-Birkenau from 1940 to 1945.

The Auschwitz-Birkenau State Museum's Centre for Education About the Holocaust and Auschwitz documents the wartime circumstances that brought young adults and children like Kwoka to the concentration camps in its 2004 publication of an album of photographs compiled by its historian Helena Kubica; these photographs were first published in the Polish/German version of Kubica's book in 2002. According to the Museum, of the approximately 230,000 children and young people deported to Auschwitz, more than 216,000 children, the majority, were of Jewish descent; more than 11,000 children came from Romani (Roma) families; the other children had Polish, Belarusian, Ukrainian, Russian, or other ethnic backgrounds.

Most of these children "arrived in the camp along with their families as part of the various operations that the Nazis carried out against whole ethnic or social groups"; these operations targeted "the Jews as part of the drive for the total extermination of the Jewish people, the Gypsies as part of the effort to isolate and destroy the Gypsy population, the Poles in connection with the expulsion and deportation to the camp of whole families from the Zamo?? region and from Warsaw during the Uprising there in August 1944", as well as Belarusians and other citizens of the Soviet Union "in reprisal for partisan resistance" in places occupied by Germany.

Of all these children and young people, "Only slightly more than 20,000 ... including 11,000 Gypsies, were entered in the camp records. No more than 650 of them survived until liberation [in 1945]."

Czes?awa Kwoka was one of those thousands of children who did not survive Auschwitz and among those whose "identity photographs", along with captions constructed from the so-called Death Books, are featured in a memorial display on a wall in Block no. 6: Exhibition: Life of the Prisoners.


Czesław Miłosz's The Captive Mind Re-Revisited - Prof. Christopher ...
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Particular historical contexts of photographs of Czes?awa Kwoka

After her arrival at Auschwitz, Czes?awa Kwoka was photographed for the Reich's concentration camp records, and she has been identified as one of the approximately 40,000 to 50,000 subjects of such "identity pictures" taken under duress at Auschwitz-Birkenau by Wilhelm Brasse, a young Polish inmate in his twenties (known as Auschwitz prisoner number 3444). Trained as a portrait photographer at his aunt's studio prior to the 1939 German invasion of Poland beginning World War II, Brasse and others had been ordered to photograph inmates by their Nazi captors, under dreadful camp conditions and likely imminent death if the photographers refused to comply.

These photographs that he and others were ordered to take capture each inmate "in three poses: from the front and from each side." Though ordered to destroy all photographs and their negatives, Brasse became famous after the war for having helped to rescue some of them from oblivion.


Harrowing Pictures from Auschwitz
src: www.jmgads.com


Auschwitz "Identification photographs" in memorial exhibits and photo archives

While most of these photographs of Auschwitz inmates (both victims and survivors) are not extant, some photographs do populate memorial displays at the Auschwitz-Birkenau State Museum, where the photographs of Kwoka reside, and at Yad Vashem, the Holocaust Martyrs' and Heroes' Remembrance Authority, Israel's official memorial to the Jewish victims of the Shoah.

Captions attached to the photographs in the Auschwitz-Birkenau State Museum photo archives and memorial indoor exhibits have been constructed by the Museum Exhibition Department from camp registries and other records confiscated when the camps were liberated in 1945 and archived subsequently. These Museum photo archive captions attached to photographs assembled and/or developed from photographs and negatives rescued by Brasse and fellow inmate darkroom worker Bronislaw Jureczek during 1940 to 1945 identify the inmate by name, concentration-camp prisoner number, date and place of birth, date of death and age at death (if applicable), national or ethnic identity, religious affiliation, and date of arrival in the camp. Some photographs credited to Brasse, including the "identity picture" with 3 poses of Kwoka, are in the Auschwitz-Birkenau State Museum's memorial to prisoners, part of a permanent indoor exhibit called Block no. 6: Exhibition: The Life of the Prisoners, first mounted in 1955. Kwoka's likeness is also featured by the museum's Exhibition Department on its official Website, in some of the Museum's published albums and catalogues, and in the 2005 Polish television documentary film about Brasse, The Portraitist, shown on TVP1 and in numerous film festivals. All visitors to the Museum are asked to respect the Site of the Death Camp and not to use cameras (still or video) in its indoor exhibits.

The photo mural including Kwoka's "identity pictures" ("identification photographs" or "mug shots") displayed on a wall in the Auschwitz-Birkenau State Museum's permanent indoor exhibition The Life of the Prisoners in Block no. 6 is captured in Ryszard Domasik's photograph cropped (without the photographs of Kwoka) featured on its official Website.


Czesław Miłosz's The Captive Mind Re-Revisited - Prof. Christopher ...
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Brasse's memories of photographing Kwoka

Brasse recalls his experience photographing Kwoka specifically in The Portraitist, an account corroborated by BBC correspondent Fergal Keane who interviewed Brasse about his memories of taking them, in a Live Mag feature article "Returning to Auschwitz: Photographs from Hell", occasioned by the film's London premiere (22 April 2007), published in the Mail Online on 7 April, which does not include illustrations of these photographs of Kwoka.

As a visitor to the Auschwitz-Birkenau State Museum memorial exhibit in Block no. 6, Keane also describes his own impressions of the photographs of Kwoka in some detail.

For days after viewing the photographs, I could not shake the girl's expression from my mind. She is around 14 [sic] years of age and looking directly into the camera.

The girl has only recently arrived at the camp. On her lower lip there is a cut. Her eyes stare directly into the lens and the fear transmits itself across the decades.

But until Wilhelm Brasse told me his extraordinary story I had no idea how the photograph came to be taken. His voice trembles as he recounts what happened.

She was so young and so terrified. The girl didn't understand why she was there and she couldn't understand what was being said to her.

So this woman Kapo (a prisoner overseer) took a stick and beat her about the face. This German woman was just taking out her anger on the girl. Such a beautiful young girl, so innocent. She cried but she could do nothing.

Before the photograph was taken, the girl dried her tears and the blood from the cut on her lip. To tell you the truth, I felt as if I was being hit myself but I couldn't interfere. It would have been fatal for me. You could never say anything.


Harrowing Pictures from Auschwitz
src: www.jmgads.com


Commemoration in art: Painting Czes?awa Kwoka

"Bring[ing] Czeslawa's image and voice into our lives", Theresa Edwards (verse) and Lori Schreiner (art) created Painting Czes?awa Kwoka, a collaborative work of mixed media inspired by the three photographs of Kwoka taken by Wilhelm Brasse in 1942 or 1943.

Displayed at the Windham Art Gallery in Brattleboro, Vermont, from 1 June to 1 July 2007 as part of the exhibition Words & Images: A Collaboration, Painting Czes?awa Kwoka further commemorates Kwoka and all child victims of the Holocaust, as well as others who lost their lives as a result of war.

It received the 2007 Tacenda Literary Award for Best Collaboration, presented by BleakHouse Publishing.

On the 75th Anniversary of her death, a colorized version went viral on Social Media, prompting further discussion of the issue.


Czesław Miłosz's The Captive Mind Re-Revisited - Prof. Christopher ...
src: i.ytimg.com


See also

  • Children of Zamojszczyzna
  • Expulsion of Poles by Germany
  • Zamosc Uprising
  • The Holocaust
  • German concentration camp for Polish children in occupied ?od? (Litzmannstadt)
  • Murder of Zamo?? children in Auschwitz
  • Nazi crimes against ethnic Poles
  • The Portraitist

L'orrore di Auschwitz rivive nello scatto della bimba col ...
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Notes


Czesław Kiszczak był Radzieckim wtórnikiem Sensacyjny wywiad Lecha ...
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References

  • "Children during the Holocaust". United States Holocaust Museum Encyclopedia (Holocaust Encyclopedia). Accessed August 28, 2008. (Feature article.)
  • Kubica, Helena. The Extermination at KL Auschwitz of Poles Evicted from the Zamo?? Region in the Years 1942-1943. "New Book from Auschwitz-Birkenau Museum: Memorial Book ... The Expulsion of Polish Civilians from the Zamosc Region". Auschwitz-Birkenau State Museum, Poland. July 17, 2004. Accessed August 29, 2008. (Press release.)
  • ---. Nie wolno o nich zapomnie?/Man darf si? nie vergessen Najm?odsze ofiary Auschwitz/Die jüngsten Opfer von Auschwitz. Auschwitz-Birkenau State Museum Publications. Pa?stwowe Muzeum Auschwitz-Birkenau w O?wi?cimiu, 2002. ISBN 83-88526-30-8 (10). ISBN 978-83-88526-30-5 (13). (Polish-German version.) ["This new album is devoted to the memory of the children deported to Auschwitz Concentration Camp, the majority of whom were murdered in the camp by the Germans or fell victim to the conditions of life in the camp."] Featured in Auschwitz-Birkenau: Memorial and Museum: A Brief History and Basic Facts. (Web PDF). Auschwitz-Birkenau State Museum, Poland. 27 pages. (In English.) [Also listed as: "Published by Pa?stwowe Muzeum Auschwitz-Birkenau w O?wi?cimiu, 2003. 383 pages; text, illustrations, indexes (including "Register of Names": 373-81). 24,5x31cm; Polish-German version."]
  • Lukas, Richard C. Did the Children Cry? Hitler's War against Jewish and Polish Children, 1939-1945. New York: Hippocrene Books, 2001. Project InPosterum: Preserving the Past for the Future, projectinposterum.org. Accessed August 28, 2008. (Excerpts from text.)
  • ---. Forgotten Holocaust: The Poles under German Occupation, 1939-1944. 1986. Rev. ed. New York: Hippocrene Books, 2001. ISBN 0-7818-0901-0 (10). ISBN 978-0-7818-0901-6 (13). (Rev. by Rooney.)
  • Painting Czes?awa Kwoka, by Theresa Edwards (verse) and Lori Schreiner (art) after a series of photographs by Wilhelm Brasse. AdmitTwo (a2), 19 (September 2007). admit2.net. Accessed August 28, 2008.
  • The Portraitist (Portrecista, Poland, 2005) - 5th Polish Film Festival Programme. Spiro Ark and the Polish Cultural Institute (UK). West London Synagogue, London. March 19 and April 22, 2007. (In Polish; with English subtitles.)
  • Rees, Laurence. Auschwitz: A New History. PublicAffairs, 2006. ISBN 1-58648-357-9 (10). ISBN 978-1-58648-357-9 (13). Google Books. Accessed August 29, 2008. (Provides hyperlinked "Preview".) [Companion book for Auschwitz: Inside the Nazi State.]
  • Rooney, David "The Forgotten Holocaust: The Poles under German Occupation, 1939-1944". National Review, September 26, 1986. FindArticles.com. Accessed August 29, 2008. (Rev. of Lukas, Forgotten Holocaust.)
  • Struk, Janina. " I will never forget these scenes' ". Guardian.co.uk (Guardian Media Group), January 20, 2005. Accessed August 28, 2008. (Interview with Wilhelm Brasse.)
  • ---. Photographing the Holocaust: Interpretations of the Evidence. New York and London: I.B.Tauris, 2004. ISBN 1-86064-546-1 (10). ISBN 978-1-86064-546-4 (13). Google Books. Accessed August 29, 2008. (Provides hyperlinked "Preview".)
  • "To Forget About Them Would Be Unthinkable - The Youngest Victims of Auschwitz: A New Album Devoted to the Child Victims of the Auschwitz Camp". Latest News (1999-2008). Auschwitz-Birkenau State Museum, Poland. January 6, 2003. Accessed August 29, 2008. (See Kubica, listed above.)
  • Words & Images: A Collaboration. Curators: Stuart Copans and Arlene Distler. Windham Art Gallery, Brattleboro, Vermont, June 1 - July 1, 2007. (Exhibition.)

Harrowing Pictures from Auschwitz
src: www.jmgads.com


External links

  • Archives. United States Holocaust Memorial Museum (USHMM). (Description of all its archives, including: "A combined catalog of published materials available in the Museum's Library, and unpublished archival materials available in the Museum's Archives. The published materials include books, serials, videos, CDs and other media. The unpublished archival materials include microfilm and microfiche, paper collections, photographs, music, and video and audio tapes." Among "unpublished" photographs in the USHMM searchable online Photo Archives are some of Wilhelm Brasse's "identification photographs", featured online with identification of Brasse as the photographer, credit to the "National Auschwitz-Birkenau Museum", identification of individual donors, and/or USHMM copyright notices. Those who download any of its archived photographs are directed to write to the USHMM for terms and conditions of use.)
  • Auschwitz-Birkenau Memorial and Museum. Auschwitz-Birkenau State Museum, Poland. English version. (Includes Centre for Education About Auschwitz and the Holocaust.) Further reference: "Technical page", with credits and copyright notice, pertaining to the official Website and official publications of the Auschwitz-Birkenau State Museum.
  • "Auschwitz-Birkenau State Museum Publications: Albums, Catalogues". (English version; also available in Polish and German.)
  • International Tracing Service - "The International Tracing Service (ITS) in Bad Arolsen serves victims of Nazi persecutions and their families by documenting their fate through the archives it manages. The ITS preserves these historic records and makes them available for research." (Opened to the public in November 2007.)
  • "Portraitist" ("Portrecista") - Official Webpage of Rekontrplan Film Group (Distributor). Adobe Flash content, including video clip. (Access: >Productions>Documentaries>Portraitist). Television documentary film produced for TVP1, "a television channel owned by TVP (Telewizja Polska S.A.)" [Updated "Events/News" re: screenings at Polish film festivals and awards also on site.] (English and Polish options.) (Original language of film: Polish. With English subtitles.)
  • "Resources & Collections: About the Photo Archive" at Yad Vashem.

Source of article : Wikipedia